<urlset
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            <url>
                        <loc>https://akankshashri.in/top-nav</loc>
            
            
            <lastmod>2026-06-14T05:40:04+00:00</lastmod>
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        </url>
            <url>
                        <loc>https://akankshashri.in</loc>
            
            
            <lastmod>2026-06-13T06:37:28+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2973762889432987892621496572566/IMG_7112.JPG</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2982870086698018288950980401814/IMG_8938_1-copy.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://akankshashri.in/-projects</loc>
            
            
            <lastmod>2026-06-12T09:17:45+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2912477226328592692404420106902/_MG_9928_1.jpg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;a href=&quot;1-the-vanishing-art-of-the-circus&quot; rel=&quot;history&quot;&gt;&lt;text-icon icon=&quot;north-east-arrow&quot;&gt;&lt;/text-icon&gt; PROJECT 01&lt;/a&gt;             THE VANISHING ART OF THE CIRCUS&lt;/b&gt;&lt;hr /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2912480994168303467948885432982/IMG_0191.jpg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;/b&gt;
&lt;b&gt;&lt;text-icon icon=&quot;north-east-arrow&quot;&gt;&lt;/text-icon&gt; PROJECT 03                   MEMORY VS REALITY OF HOME&lt;/b&gt;&lt;hr /&gt;

</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2913005917447783069858683968150/_MG_0141_1.JPG</image:loc>
                                            <image:caption>&lt;b&gt;&lt;a href=&quot;2-theyyam&quot; rel=&quot;history&quot;&gt;&lt;text-icon icon=&quot;north-east-arrow&quot;&gt;&lt;/text-icon&gt; PROJECT 02              THE UNTOUCHABLE GOD - THEYYAM&lt;/a&gt;&lt;/b&gt;&lt;hr /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2970000179909313199372151315094/IMG_7282.JPG</image:loc>
                                            <image:caption>&lt;b&gt;&lt;a href=&quot;1-the-vanishing-art-of-the-circus&quot; rel=&quot;history&quot;&gt;&lt;text-icon icon=&quot;north-east-arrow&quot;&gt;&lt;/text-icon&gt; PROJECT 01&lt;/a&gt;             THE VANISHING ART OF THE CIRCUS&lt;/b&gt;&lt;hr /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2971343023243285088525661788822/IMG_8882.JPG</image:loc>
                                            <image:caption>&lt;b&gt;&lt;a href=&quot;1-the-vanishing-art-of-the-circus&quot; rel=&quot;history&quot;&gt;&lt;text-icon icon=&quot;north-east-arrow&quot;&gt;&lt;/text-icon&gt; PROJECT 01&lt;/a&gt;             THE VANISHING ART OF THE CIRCUS&lt;/b&gt;&lt;hr /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://akankshashri.in/the-vanishing-art-of-the-circus</loc>
            
            
            <lastmod>2026-06-14T06:21:56+00:00</lastmod>
            <changefreq>always</changefreq>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2912834071232447718270320532118/_MG_1852_1.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2912834071638276087891930667670/_MG_9928_1.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2912834071712063064186768874134/IMG_9944_1.jpg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2912969782914027075387534105238/_MG_9936.jpg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;u&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;PROJECT 01&lt;/a&gt;&lt;/u&gt;&lt;i&gt;&lt;u&gt;


&lt;/u&gt;&lt;br /&gt;
The Vanishing Art of the Circus&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;

Bangalore&lt;br /&gt;New Delhi&lt;br /&gt;Kochi&lt;br /&gt;
Began in 2025&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
I saw my first circus in Bangalore in 2025, and I remember sitting there almost like a child, completely captivated by everything unfolding in front of me. There was something so raw about it—the performers risking their bodies, moving with such control and fearlessness, as if gravity did not apply to them. It did not feel staged or distant; it felt real, happening right there in the same air I was breathing.&lt;br /&gt;
&lt;br /&gt;
What stayed with me most was not just how extraordinary the performance was, but the feeling that I was witnessing something that might not exist for much longer. In a world constantly moving toward screens and speed, the circus felt slow, human, and incredibly alive.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
As I began researching the circus industry, I learned about the challenges it faces today. Many circuses struggle with a lack of funding and a declining number of artists, as people now have alternative career options that do not involve risking their lives. Families are also increasingly reluctant to send their children into the rigorous training that was once common across generations of circus performers. Limited resources often result in difficult living conditions and poor hygiene during touring seasons.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This project emerges from those observations. It attempts to capture both the hardship and the spectacle of circus life—the adverse conditions behind the scenes as well as the glitz and wonder presented under the tent. It is my way of holding onto what I saw and felt that day, a small attempt to document something beautiful that is quietly disappearing, so that it does not fade without being remembered.&lt;br /&gt;


&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;


&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;

</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2946326992554264659059842505366/video-output-4EE9D93B-F5C9-4E17-A846-D0B6EBE85E52-11.mp4</image:loc>
                                            <image:caption>&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;u&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;PROJECT 01&lt;/a&gt;&lt;/u&gt;&lt;i&gt;&lt;u&gt;


&lt;/u&gt;&lt;br /&gt;
The Vanishing Art of the Circus&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;

Bangalore&lt;br /&gt;New Delhi&lt;br /&gt;Kochi&lt;br /&gt;
Began in 2025&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
I saw my first circus in Bangalore in 2025, and I remember sitting there almost like a child, completely captivated by everything unfolding in front of me. There was something so raw about it—the performers risking their bodies, moving with such control and fearlessness, as if gravity did not apply to them. It did not feel staged or distant; it felt real, happening right there in the same air I was breathing.&lt;br /&gt;
&lt;br /&gt;
What stayed with me most was not just how extraordinary the performance was, but the feeling that I was witnessing something that might not exist for much longer. In a world constantly moving toward screens and speed, the circus felt slow, human, and incredibly alive.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
As I began researching the circus industry, I learned about the challenges it faces today. Many circuses struggle with a lack of funding and a declining number of artists, as people now have alternative career options that do not involve risking their lives. Families are also increasingly reluctant to send their children into the rigorous training that was once common across generations of circus performers. Limited resources often result in difficult living conditions and poor hygiene during touring seasons.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This project emerges from those observations. It attempts to capture both the hardship and the spectacle of circus life—the adverse conditions behind the scenes as well as the glitz and wonder presented under the tent. It is my way of holding onto what I saw and felt that day, a small attempt to document something beautiful that is quietly disappearing, so that it does not fade without being remembered.&lt;br /&gt;


&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;


&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2946344411574885790031209323158/IMG_9942.JPG</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2970000179909313199372151315094/IMG_7282.JPG</image:loc>
                                            <image:caption>&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;u&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;PROJECT 01&lt;/a&gt;&lt;/u&gt;&lt;i&gt;&lt;u&gt;


&lt;/u&gt;&lt;br /&gt;
The Vanishing Art of the Circus&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;

Bangalore&lt;br /&gt;New Delhi&lt;br /&gt;Kochi&lt;br /&gt;
Began in 2025&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
I saw my first circus in Bangalore in 2025, and I remember sitting there almost like a child, completely captivated by everything unfolding in front of me. There was something so raw about it—the performers risking their bodies, moving with such control and fearlessness, as if gravity did not apply to them. It did not feel staged or distant; it felt real, happening right there in the same air I was breathing.&lt;br /&gt;
&lt;br /&gt;
What stayed with me most was not just how extraordinary the performance was, but the feeling that I was witnessing something that might not exist for much longer. In a world constantly moving toward screens and speed, the circus felt slow, human, and incredibly alive.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
As I began researching the circus industry, I learned about the challenges it faces today. Many circuses struggle with a lack of funding and a declining number of artists, as people now have alternative career options that do not involve risking their lives. Families are also increasingly reluctant to send their children into the rigorous training that was once common across generations of circus performers. Limited resources often result in difficult living conditions and poor hygiene during touring seasons.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This project emerges from those observations. It attempts to capture both the hardship and the spectacle of circus life—the adverse conditions behind the scenes as well as the glitz and wonder presented under the tent. It is my way of holding onto what I saw and felt that day, a small attempt to document something beautiful that is quietly disappearing, so that it does not fade without being remembered.&lt;br /&gt;


&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;


&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;

</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2973347653334569155056877722262/_MG_9927.jpg</image:loc>
                                            <image:caption>
&lt;span style=&quot;color: rgb(7, 0, 0);&quot;&gt;&lt;span style=&quot;line-height: 1.35;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
&lt;span style=&quot;color: rgba(8, 0, 0, 0.85);&quot;&gt;...with thanks to the artists and crew of Rambo and New Golden Circus.&lt;/span&gt;



</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://akankshashri.in/the-untouchable-god</loc>
            
            
            <lastmod>2026-06-07T07:07:38+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2946344411574885790031209323158/IMG_9942.JPG</image:loc>
                                            <image:caption>
&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;u&gt;PROJECT 02&lt;/u&gt;&lt;/a&gt;&lt;i&gt;

&lt;br /&gt;
&lt;a href=&quot;example-project&quot; rel=&quot;history&quot; style=&quot;color: rgb(78, 4, 4);&quot;&gt;THE UNTOUCHABLE GOD - THEYYAM&lt;/a&gt;

&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;color: rgb(4, 0, 0);&quot;&gt;Thalassery&lt;br /&gt;
Began in 2025&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;The
 word “Theyyam” is believed to be derived from “Daivam,” meaning god. In
 this practice, performers often from specific marginalized communities 
transform into deities through elaborate costumes, face painting, and 
intense rituals. This transformation is not symbolic alone; it is 
believed that the performer becomes a living embodiment of the deity, 
bridging the gap between the divine and the human.&lt;br /&gt;&lt;br /&gt;The
 performers mostly come from communities in Kerala that have 
historically been pushed to the margins once labeled “untouchable,” 
denied entry into temples, and kept outside the social and spiritual 
mainstream.&lt;i&gt;And yet, during Theyyam, everything changes.&lt;/i&gt;&lt;/span&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;

</image:caption>
                                    </image:image>
            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/D2946450242482544789468333234838/_MG_0043.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2946452711800599984376331655830/_MG_0574.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2946454579127609077846822640278/_MG_0163.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2970000179909313199372151315094/IMG_7282.JPG</image:loc>
                                            <image:caption>
&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;u&gt;PROJECT 02&lt;/u&gt;&lt;/a&gt;&lt;i&gt;

&lt;br /&gt;
&lt;a href=&quot;example-project&quot; rel=&quot;history&quot; style=&quot;color: rgb(78, 4, 4);&quot;&gt;THE UNTOUCHABLE GOD - THEYYAM&lt;/a&gt;

&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;color: rgb(4, 0, 0);&quot;&gt;Thalassery&lt;br /&gt;
Began in 2025&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;The
 word “Theyyam” is believed to be derived from “Daivam,” meaning god. In
 this practice, performers often from specific marginalized communities 
transform into deities through elaborate costumes, face painting, and 
intense rituals. This transformation is not symbolic alone; it is 
believed that the performer becomes a living embodiment of the deity, 
bridging the gap between the divine and the human.&lt;br /&gt;&lt;br /&gt;The
 performers mostly come from communities in Kerala that have 
historically been pushed to the margins once labeled “untouchable,” 
denied entry into temples, and kept outside the social and spiritual 
mainstream.&lt;i&gt;And yet, during Theyyam, everything changes.&lt;/i&gt;&lt;/span&gt;

&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;

</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://akankshashri.in/memory-vs-reality-of-home</loc>
            
            
            <lastmod>2026-06-07T07:07:38+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2912480994168303467948885432982/IMG_0191.jpg</image:loc>
                                            <image:caption>
&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;u&gt;PROJECT 03&lt;/u&gt;&lt;/a&gt;&lt;i&gt;

&lt;br /&gt;
MEMORY VS REALITY OF HOME

&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Haridwar&lt;br /&gt;Dehradoon&lt;br /&gt;
Began in 2023&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;This body of work brings together stories
 of migration driven by both survival and aspiration, where the need to 
earn and the hope for a better life blur into one continuous movement. 
It looks beyond the act of leaving, focusing on what follows: the lives 
rebuilt, the identities reshaped, and the memories that linger.&lt;br /&gt;


&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;

</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2968514318562709470443351857814/IMG_0194.jpg</image:loc>
                                            <image:caption>
&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;u&gt;PROJECT 03&lt;/u&gt;&lt;/a&gt;&lt;i&gt;

&lt;br /&gt;
MEMORY VS REALITY OF HOME

&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Haridwar&lt;br /&gt;Dehradoon&lt;br /&gt;
Began in 2023&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;This body of work brings together stories
 of migration driven by both survival and aspiration, where the need to 
earn and the hope for a better life blur into one continuous movement. 
It looks beyond the act of leaving, focusing on what follows: the lives 
rebuilt, the identities reshaped, and the memories that linger.&lt;br /&gt;


&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;

</image:caption>
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                <image:image>
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&lt;b&gt;&lt;span style=&quot;color: rgb(91, 16, 16);&quot;&gt;&lt;span style=&quot;color: rgb(84, 13, 13);&quot;&gt;&lt;a href=&quot;circus&quot; rel=&quot;history&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;&lt;u&gt;PROJECT 03&lt;/u&gt;&lt;/a&gt;&lt;i&gt;

&lt;br /&gt;
MEMORY VS REALITY OF HOME

&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Haridwar&lt;br /&gt;Dehradoon&lt;br /&gt;
Began in 2023&lt;br /&gt;Ongoing&lt;br /&gt;&lt;br /&gt;This body of work brings together stories
 of migration driven by both survival and aspiration, where the need to 
earn and the hope for a better life blur into one continuous movement. 
It looks beyond the act of leaving, focusing on what follows: the lives 
rebuilt, the identities reshaped, and the memories that linger.&lt;br /&gt;


&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;

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